Some Guy Ritchie films , like “The Gentlemen,” are big, sloppy fun, while others, like “Wrath of Man,” (2021) are just big and sloppy. In the latter, the soundtrack heralds a menacing tone that persists as one criminal seeks payback from another. There’s lots of standard Ritchie touches – jumping back and forth in time, the audience never quite knowing whose side anyone is on – but some plot points are dwelled upon while others breeze by confusingly. But the tonal bleakness lacks the comic blackness Ritchie is often able to mine from intramural mayhem. Something’s missing in all this carnage. Humanity?