Archives for posts with tag: Eugene Levy

It’s fair to say “Best in Show” (2000) helped breathe new life into the mockumentary, as well as the repertory led by Christopher Guest and Eugene Levy (which lives on to this day – thanks “Schitt’s Creek”). This behind-the-scenes look at dog shows also serves as a bridge that helped introduce audiences to newer ensemble comedians such as Jennifer Coolidge and John Michael Higgins. Theirs and other characters (Catherine O’Hara) are inspired in their quirkiness. Fred Willard is hilarious – he seemingly improvs his entire performance as the dog show TV announcer – but as a result probably gets too much screen time.

Tim Meadows is one of the most underrated “Saturday Night Live” cast members and it’s unfortunate he never became a more prominent comedic film star. His highlight is “The Ladies Man” (2000) and it, too, is underrated. Granted, ribald sex comedies are a niche taste, but you don’t feel icky cheering for Meadows, who generates genuinely oblivious sincerity as a talk show host who likes to fool around. The plot’s middle-of-the-road compass reins in the raunch to appropriate levels. Plus, there’s a Julianne Moore cameo and vengeful husband Will Ferrell provides an out-of-nowhere musical number inspired by “West Side Story.”

Generation Xers got screwed out of a lot of things, not the least of which was animation. Boomers and Millennials got Bugs Bunny, Pixar and Disney classics (“Pinocchio,” “Lion King,” etc.). We got Scrappy Doo and “Heavy Metal.” For whatever reason, Ivan Reitman thought 1981 was the right time for an animated anthology featuring the four food groups for 14-year-old Xer boys: weapons of war, rock and roll, purple eye shadow and huge breasts. The animation is typical of the early 1980s – artistic yet awful. The story is also typical – some kind of high-minded pacifism shrouded in blood and boobs.