The first sign of trouble was when the parents dropped their kid off to start college, and they’re dressed like it’s February (it wasn’t). And then there’s sporadic snow for the next several hijinks-filled days. And then the parents are drunk only sometimes when I was expecting “Arthur”-level intoxication. I mean, it’s called “Drunk Parents” (2019). And yet, like, everybody is in this movie (Alec Baldwin, Salma Hayek, Jim Gaffigan, Will Ferrell, Joe Manganiello, Ben Platt, etc.). It’s a half-assed train wreck that looks like it got slapped together over Presidents’ Day weekend, but at least it’s Salma Hayek’s half-ass.
“Concussion” (2015) has the feel of a corporate espionage flick, what with all the liars in suits, suspicious suicides and a lonely hero raging against the machine. Except the machine is the NFL and we know how the story ends. Actually, the story hasn’t ended. For the next 40 years (think about that) retired athletes are going to be going mad and then dropping dead due to repeated blows to the head on the football field. Worse, for them, it’s already too late (think about that, too). It makes the film somewhat anticlimactic, despite a solid performance by Will Smith.
Cameron Crowe movies are a little complex, but if you are willing to put in the work, they are usually worth the effort. “Aloha” (2015) is the latest example. You’ve basically got a love triangle romantic comedy with Bradley Cooper, Rachel McAdams and Emma Stone. Everybody could have phoned it in and filmgoers wouldn’t have minded. Instead, Crowe weaves a rich story full of interesting supporting characters, and the music is (as usual) spot on. Stone is delightfully committed to the role of a frighteningly committed fighter pilot. Bonus: The climax includes a Gamecock football highlight with Mike Hold (not pictured).