He’s become a modern-day Chuck Yeager, a test-pilot behind the times yet riding the bleeding edge, racing into a void so he can ignore those of his own creation. Tom Cruise introduces us to this complicated man at the beginning of “Top Gun: Maverick” (2022) and then somewhat shoves him aside for the typical testosterone, posturing, good guys and bad guys of the Jerry Bruckheimer action machine. But all that old machinery, it still works pretty darn good, with an extra-large helping of emotional exploitation. Maverick becomes Yoda. He finds his Luke and they go on a Death-Star-like suicide mission.
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