And some people say I’m resistant to change! In “Edmond” (2005), William H. Macy plays a mild-mannered, big-city office worker who finds out his meeting tomorrow has been bumped back. Next thing you know, he’s haggling hookers over sex while becoming a knife-wielding, nonsense-soliloquizing, homicidal maniac. It’s like “Falling Down” fell down. And can’t get up. Because Macy stabbed it. And then talked it to death. The incessantly pretentious chattiness comes courtesy of David Mamet’s play, which he adapted to somehow be even more like a play. Everyone sounds like they’re Capital A Acting, even when they’re committing a felony.