The crash of the dot-com bubble in the early 2000s brought an era of lowered expectations that I don’t think we’ve ever fully gotten over. That small-ball sensibility seems to be what drives “In Good Company.” It’s got the architecture of a romantic comedy: middle-aged family man (Dennis Quaid) gets a new, young boss (Topher Grace) who falls for his daughter (Scarlett Johansson). But instead of hijinks, everyone takes turns receiving gut punches followed by small victories. The presumptive happy ending seems more relief than triumph. But that’s where we were in 2004, and now. Just relieved that we’re surviving.
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