Two thirds of the way through “Collateral Beauty” (2016) I was starting to wear down. The story, about a man (not) coping with his daughter’s death, was work. But I hung in there. This deep dive of a film let me up enough to see the surface, even if I couldn’t take a breath just yet. I thought I had the plot twist figured out. I was (almost) right. I didn’t go away happy, but at least I wasn’t sad. This kind of film is OK, once in a while. The cinematic world can’t be all superheroes and fart jokes.

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